"The Portrait of Jesus from the Turin Shroud - Uncolored and
Colored" 11' X 14' graphite on paper
Basset labored endlessly trying to bring forth an accurate rendering of
the man of the Shroud. The artist explained "The beauty and the sublimity of the
original image always seemed to exceed anything that I was able to render for
others to see." It became a passion for the artist to enable others to see
clearly a coutenance that he came to appreciate as nothing less than truly
profound. Click on image to see detail view.
In fact, certain
peculiarities about the image continued to obscure the vision the artist longed
to capture. "The more the image was clarified while remaining true to its
geographic relationships, the more the image took on an amorphic distortion.
This imparted a "mask-like' quality to the image that brought into question the
Shrouds ability to be definitive enough for the artist to make use of."
"I was left with the awesome realization, however, that the "amorphic"
areas of distortion were due to the fact that the cloth had draped a
three-dimensional form. The perceptable countenance that I first encountered in
the photo-negative image back in 1978, was sufficient to shift my belief in
favor of the Shroud's authenticity. This additional discovery only reinforced
that belief."
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